The Sound of Music  

From the first resounding chord to the last swinging beat, the music at your wedding ceremony should enhance the mood you are trying to create.

A large, formal, traditional marriage calls for sacred or classical arrangements, usually featuring an organ, trained soloist, choir or a combination of the three.

A relaxed or informal celebration is generally lighter in spirit and may incorporate congregational singing, a folk group, a string quartet, an Irish harp, an organ or piano.

Before making any decisions on music or musicians, find out from your officiant what guidelines must be followed and at what places during the ceremony music is appropriate.

Your officiant may suggest a resident musician, choir or organist who has played at many weddings and knows the acoustics of the setting well. This can be an excellent resource but, before you decide, attend a service where he or she is playing. There's no better way to judge one's professionalism and style than to hear them in person.

If you decide to hire an outside musician or group, get permission from your celebrant first. In some cases restrictions may apply. If your budget is tight, you may wish to rethink your decision altogether as there is usually a fee which must be paid to the resident organist regardless of whether or not they play at your wedding.

There are many ways to bring music into your celebration, the following are the traditional moments:

  • Before the Ceremony: In the half-hour before the ceremony, as guests are arriving, it is nice to have some background music which is joyful but not overbearing. Arioso by Bach, Love is His Word by Luke Connaughton and Anthony Milner, and Bi Iosa im Chroise are ideal.
  • Bridal Party Entrance: Just before the bride makes her entrance, there is a respite. The music then changes in mood and becomes more dramatic. Organ music is the usual choice for the bridesmaids entrance, although a trumpet solo or hymn sung by choir is equally dramatic. Musical selections may include: Adagio by Mozart, Irish Lullaby by J.R. Shannon, and Trumpet Voluntary by Clarke.
  • Bride's Entrance: The Bridal Chorus by Wagner, also known as Here Comes the Bride, is the traditional piece played to mark the entrance of the bride. Other selections to consider are: Trumpet Voluntary by Clarke or Purcell, Air from The Water Music by Handel, Opening Fanfare from Te Deum by Charpentier, and The Arrival of the Queen of Sheba by Handel.
  • Signing of the Register: This is a perfect place for a musical interlude. Sheep May Safely Graze by Bach, Ave Maria by Bach, Jesu, Joy of Man's Desiring by Bach, To a Wild Rose by MacDowell, Air from The Water Music by Handel and Adagio in G Minor by Mozart suit this natural lull in the service beautifully.
  • Recessional: The recessional is the grand finale of the wedding ceremony and the music here should reflect the jubilant spirit of the occasion. Any one of the following would be well suited to this joyous moment: Fugue in C Minor by Buxetude, Canon in D Major by Pachebel, Trumpet Tune by Purcell, Toccata by Widor, Wedding March from A Midsummer Night's Dream by Mendelssohn or Ode to Joy from Symphony No 9 by Beethoven.
  • This is an edited extract from
    The Irish Wedding Book by Kim McGuire,
    Wolfhound Press Publishers.

     
     
     
     
     
     © IrishAbroad.com 2009