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Irish America magazine - June/July '08 issue: Irish soldiers in Kosovo, Faiths o’ the Irish, Ireland of a Thousand Welcomes?, Finding Home, U2 Have Gone 3D, The House that Hoban built, Straight from the bottle, Keeping it All in the Family, Holy Wells

 
Book corner
In his books Patrick McCabe has displayed a great interest in the macabre
 
News From Ireland
New Dawn for Northern Ireland. By any standard s it was a momentous occasion.
 
Northern Irish Music
Some of Ireland’s finest bands performed in concert on at the Knitting Factory in New York City
 
 
Irish Writers Remembered

John McGahern

John McGahern, who once said that writing fiction is “linked to the realization that we’re not going to live forever and the way of saying and the language become more important than the story,” was remembered at NYU’s Glucksman Ireland House in New York on March 29.

Literary luminaries and fans of McGahern, who passed away in January 2006, gathered to celebrate his life and work. The commemoration included a panel discussion with Pete Hamill, Joe Kennedy and Belinda McKeon.

The author of six novels, five collections of short stories as well as four plays written for television, radio and theater, McGahern was one of Ireland’s most prolific contemporary novelists. As a child John resided in Leitrim and Roscommon but left Ireland after the controversy surrounding his second novel, The Dark, which dealt with clerical child abuse and was banned for obscenity. Amongst Women, his 1990 novel, won the GPA Book Award and The Irish Times Award as well as being short-listed for the Booker Prize.

The tribute concluded on March 30 with a screening of the documentary film John McGahern: A Private World at NYU’s Cantor Film Center. Introduced by author and journalist Pete Hamill, the hour-long documentary was directed by Pat Collins and used McGahern’s autobiography as a foundation. Featuring a series of intimate interviews, the documentary offered a unique glimpse into the mind of one of Ireland’s best contemporary writers.

Benedict Kiely

When Irish writer Benedict Kiely passed away on February 9, 2007 fellow novelist Colum McCann noted in the Irish Times, “There will be stories told this week: in pubs, on stone bridges, in train stations…Stories of how he told stories. Stories of how his stories became songs. Song, indeed, of his stories. No better music.”

On March 21 the stories were told at the Housing Works Used Book Café in New York City. There was no better music than the words of Kiely’s friends gathered there to pay tribute. Among them were Colum McCann, Christy Barrett Kelly, Frank McCourt and Chris Cahill of Pace University and the American-Irish Historical Society.

Born near Dromore, Co. Tyrone, Benedict Kiely was one of Ireland’s best, if lesser known, contemporary writers. The author of 10 novels and four volumes of stories as well as travel books and anthologies, Kiely’s work has appeared in The New Yorker, the Kenyon Review, AIHS’ Journal, The Recorder and other American magazines. Despite his notable achievements, Kiely has been largely forgotten by present-day readers, publishers and critics.

In New York the night of reminiscing began with a soulful reading of Seamus Heaney’s eulogy for Ben by poet Christy Barrett Kelly. Colum McCann read

from Kiely’s novel Nothing Happens in Carmincross. The other readings were from The Collected Stories of Benedict Kiely published by David R. Godine Publisher in 2003. Author and memoirist Frank McCourt related a hilarious

anecdote about how he would have a Ph.D. from Trinity College were it not that every morning on his way to the library he encountered Kiely who led him into a pub instead.

Listening to the tales told throughout the night, a clear portrait of Kiely emerged, even for those unfamiliar with the man or his writing. Benedict Kiely was a man who knew something of life, and of the people he encountered on his rambles through Ireland’s pubs and countryside. McCann expressed a wish that everyone in the audience could have a glass of whiskey or brandy in hand to lift in Kiely’s memory, and indeed it seemed a gesture most fitting. Kiely may have passed on but his stories endure. It can only be hoped that those who have not yet read Kiely will, and that his stories may continue to haunt those who have.

– Bridget English

 
 
 
 
 
 
 
 
 
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